Summer Acting Programs NYC - Sam Willett Interview - Call (917) 789-1599
Summer Acting Programs NYC https://ift.tt/2HjyKHU Best Summer Acting Programs NYC - Maggie Flanigan Studio Call 917-789-1599 The NYC summer acting program at the Maggie Flanigan Studio focuses on the Meisner Summer Intensive and the Meisner Technique. During this interview Katie discusses with Sam Willett how the acting program changed her thoughts about professional actor training. After graduating college with a degree in theater, taking acting classes and working in NYC for a few years, I expected to be farther than I was. In the summer program I learned that I need to take my time and actually work on my technique. Q: What did you think it meant to train as an actor before you started the six-week Meisner summer intensive? A: Well, I had already graduated college with a degree in theater and I've been in the city for a couple years working and taking classes and I guess I thought that that was enough, not that was enough but I gave myself a time when I wanted to be working more and I thought that I would be farther than I really am. I learned that I need to take my time and actually work on my technique. Q: What happened to you during the six-week summer intensive that changed your perspective on acting in training? A: One of the main things is being able to see moments more clearly especially when you watch films or television or plays or even watching people in class, there are so many things from the beginning of the six weeks that I didn't see that I was missing and now at the end it's so much more clear and even in everyday lives you see so many things that happen when people are interacting with each other and you see how people try to not let it affect them. Also, I didn't realize how important voice and speech and movement was, even in college I didn't really care about those classes because I didn't really understand what they were for, but when you're in these classes it's so apparent. The physical and the vocal problems that arise when you are working with this technique you can really see how voice and speech and movement can really help you to be free. Q: What did you learn about yourself during this six-week intensive that was a surprise about yourself that change you? A: I really just learned to trust myself and believe in myself more and that if I let myself just be that I'm still able to work off of someone and to allow things to happen to me, I used to think that I had to work harder to build up an emotion or to make something happen. I guess, I just learned to trust myself more and that things will happen if I just have confidence. Q: How do you describe Charlie as a teacher? A: Charlie is really intense but in a good way where he helps to break you down so that you can finally just be human and be open and honest, but I do feel like he is there to support you when you are just open and scared and not know and you're out there and vulnerable and you don't know what's going on and he has a nice balance I guess. Summer Acting Programs NYC - Sam Willet Interview - Call (917) 789-1599 Learn more about the summer acting program in NYC, as well as the other individual acting classes included in the summer acting programs at the Maggie Flanigan Studio by visiting the acting programs page on the website or by calling the studio directly at 917-789-1599. Maggie Flanigan Studio 153 W 27th St #803 New York, New York 10001 (917) 789-1599 https://ift.tt/1f8nOu4 https://goo.gl/maps/JTA9n7oHbNT2 acting classes NYC, acting classes in NYC, maggie flanigan studio, actors, maggie flanigan, Meisner technique training, Meisner technique, Meisner training, Meisner, Meisner work, Meisner acting, Meisner acting classes, acting conservatory, best acting studio in NYC
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by Maggie Flanigan
Sunday, April 8, 2018
Friday, April 6, 2018
Auditioning for the Room – Louisa Proske
Louisa Proske teaches Script Analysis and Shakespeare classes for actors at the Maggie Flanigan Studio. In this video Louisa discusses a directors perspective on acting auditions and offers advice on how actors can perform their best every time they audition.
Script Analysis Class – Louisa Proske – Director’s Perspective on Acting Auditions
Auditioning for the Room – Louisa Proske
As a director, I audition hundreds of actors and singers every year. I know that auditioning can be a hard, elusive, even frightening process for actors. I thought that it might be useful to share some of what I have learned and observed over the years, from the other side of the table.
The audition room that you walk into might be loaded in all kinds of ways. We might be stressed out because we are running behind. Because it’s day three and we still haven’t seen anyone right for the lead part, and we’ve been in a windowless room for 6 hours hearing the same three scenes over and over, because the Artistic Director is in disagreement about the actor we like best, because the last three candidates were just not bringing it. Because, because, because…. If you’re sensing mixed or outright bad vibrations in the room, more likely than not this has nothing to do with you. Focus, breathe, be simple, rely on your training, and bring your work.
Auditioning can be very stressful for directors. It’s often not a very artistic way of choosing collaborators for a project. But the truth is, also, that we are hoping that you will bring something unique, beautiful, and compelling, that in the 5 or 10 minutes we spend together, you engage us and make us forget the stress and the windowless room. Believe me, as much as I’ve suffered in auditions, I’ve also been knocked off my socks by the raw talent, artistry, humor, and ferocity that actors can bring into an audition room. And the common link between these artists is the fact that all are seriously well trained. Craft plus preparation lead to consistently good work.
Preparation is key. As a teacher of Script Analysis, at the Maggie Flanigan Studio, I always tell my students that every audition is a speed workout in applying all the vocabulary they’ve learned over the course of their training. The Meisner training at MFS, will teach you how to read a script, explore the character, find out everything there is to know about her/him, and analyze the scene beat by beat. Then, when you go in for an audition, all the skills you acquired with the Meisner Technique, kicks in tenfold. Ground yourself in your homework, breathe, and connect to your voice. Take in your scene partner (the reader, in this case). Play actions. Live truthfully moment to moment.
If you look at it that way, you can let go of the idea that the only measure of success of an audition is whether or not you booked the part. You just got a great workout for your acting vocabulary! You went to the gym! That’s a valuable thing as an artist.
And even if it “went badly,” if you didn’t do as well as you could have, sit down (maybe after giving yourself a little treat), and honestly, without being too easy OR too hard on yourself, give yourself notes – where could you have done better? How? What do you need to work on? Be your own coach, your own teacher. This takes discipline and courage – courage in facing your mistakes.
Many things are totally out of your control in the casting process. But what’s in your control is honing your craft every day and bringing your best game to the audition room, and then learning from your mistakes in order to get better. There are many reasons why you might ultimately not be chosen for a particular part, but if you consistently give compelling auditions, the director, the casting director and sometimes the artistic director WILL remember you for other projects. You are building a life as a serious actor.
Script Analysis Class with Louisa Proske – Maggie Flanigan Studio – Call 917-789-1599
Script Analysis Class at the Maggie Flanigan Studio
To learn more about the Script Analysis class, as well as the other acting classes and acting programs at the Maggie Flanigan Studio, visit the acting program page on the Maggie Flanigan website or call (917) 789-1599 and speak to someone at the studio.
The post Auditioning for the Room – Louisa Proske appeared first on Meisner Acting - The Maggie Flanigan Studio New York NY - 917-789-1599.
via Auditioning for the Room – Louisa Proske
by Maggie Flanigan
Auditioning for the Room - Louisa Proske - Maggie Flanigan Studio - Call (917) 789-1599
Watch video on YouTube here: https://youtu.be/lj1LgD6wKqo
via Maggie Flanigan Studio
via Auditioning for the Room - Louisa Proske - Maggie Flanigan Studio - Call (917) 789-1599
by Maggie Flanigan
Auditioning for the Room – Louisa Proske
Louisa Proske teaches Script Analysis and Shakespeare classes for actors at the Maggie Flanigan Studio. In this video Louisa discusses a directors perspective on acting auditions and offers advice on how actors can perform their best every time they audition. [caption id="attachment_9736" align="aligncenter" width="800"]
Auditioning for the Room - Louisa Proske
As a director, I audition hundreds of actors and singers every year. I know that auditioning can be a hard, elusive, even frightening process for actors. I thought that it might be useful to share some of what I have learned and observed over the years, from the other side of the table. The audition room that you walk into might be loaded in all kinds of ways. We might be stressed out because we are running behind. Because it’s day three and we still haven’t seen anyone right for the lead part, and we’ve been in a windowless room for 6 hours hearing the same three scenes over and over, because the Artistic Director is in disagreement about the actor we like best, because the last three candidates were just not bringing it. Because, because, because…. If you’re sensing mixed or outright bad vibrations in the room, more likely than not this has nothing to do with you. Focus, breathe, be simple, rely on your training, and bring your work. [post_author] Auditioning can be very stressful for directors. It’s often not a very artistic way of choosing collaborators for a project. But the truth is, also, that we are hoping that you will bring something unique, beautiful, and compelling, that in the 5 or 10 minutes we spend together, you engage us and make us forget the stress and the windowless room. Believe me, as much as I’ve suffered in auditions, I’ve also been knocked off my socks by the raw talent, artistry, humor, and ferocity that actors can bring into an audition room. And the common link between these artists is the fact that all are seriously well trained. Craft plus preparation lead to consistently good work. Preparation is key. As a teacher of Script Analysis, at the Maggie Flanigan Studio, I always tell my students that every audition is a speed workout in applying all the vocabulary they’ve learned over the course of their training. The Meisner training at MFS, will teach you how to read a script, explore the character, find out everything there is to know about her/him, and analyze the scene beat by beat. Then, when you go in for an audition, all the skills you acquired with the Meisner Technique, kicks in tenfold. Ground yourself in your homework, breathe, and connect to your voice. Take in your scene partner (the reader, in this case). Play actions. Live truthfully moment to moment. If you look at it that way, you can let go of the idea that the only measure of success of an audition is whether or not you booked the part. You just got a great workout for your acting vocabulary! You went to the gym! That’s a valuable thing as an artist. And even if it “went badly,” if you didn’t do as well as you could have, sit down (maybe after giving yourself a little treat), and honestly, without being too easy OR too hard on yourself, give yourself notes – where could you have done better? How? What do you need to work on? Be your own coach, your own teacher. This takes discipline and courage – courage in facing your mistakes. Many things are totally out of your control in the casting process. But what’s in your control is honing your craft every day and bringing your best game to the audition room, and then learning from your mistakes in order to get better. There are many reasons why you might ultimately not be chosen for a particular part, but if you consistently give compelling auditions, the director, the casting director and sometimes the artistic director WILL remember you for other projects. You are building a life as a serious actor. [caption id="attachment_9732" align="aligncenter" width="800"] Script Analysis Class with Louisa Proske - Maggie Flanigan Studio - Call 917-789-1599[/caption]
Script Analysis Class at the Maggie Flanigan Studio
To learn more about the Script Analysis class, as well as the other acting classes and acting programs at the Maggie Flanigan Studio, visit the acting program page on the Maggie Flanigan website or call (917) 789-1599 and speak to someone at the studio.The above article Auditioning for the Room – Louisa Proske was originally published on NYC Meisner Technique
via Auditioning for the Room – Louisa Proske
by Maggie Flanigan
Summer Acting Program – Dunstan Wallace Interview
The summer acting program at the Maggie Flanigan Studio introduces actors to the Meisner Technique and professional actor training. In this interview with Katie, Dunstan Wallace discusses the acting program and some of the ways he changed during the six week program.
Best Summer Acting Program – Dunstan Wallace – Call 917-789-1599
Summer Acting Program Interview: Dunstan Wallace
Q: What did you think training was before you started the six weeks summer intensive?
Well, I really had no idea what it was to train as an actor because my prior experience would be, the teacher would just pair us up, same partners and then just give us a scene, you rehearse it, you put it up on the front of the class and he gives us feedback, that was it. I was thinking I wasn’t really getting what I thought I was getting. I felt like I was saying lines and just line reading and not really getting into the character. Yes, I really had no idea what it was to train as an actor.
Q: What happened to you during the six weeks that changed your perspective on acting?
Everything changed. The approach that Charlie instilled in us, the work ethic, the commitment, a lot of sacrifices, you can’t just go to a studio and expect the teachers to sprinkle magic fairy dust on you and think that you just going to be this person. They really tell you, they really teach you, they’re very nurturing, they care, but at the same time, you have to do the work. It’s the work ethic, pretty much that I’ve got from the six weeks program, the work ethic, like really setting the bar for yourself and really taking a pride in your work. That was something that really stuck with me.
Q: What did you learn about yourself that was a surprise during the six weeks program?
I think the biggest thing I learned was how sensitive I was. It was very endearing and lining at the same time scary because as a man, it’s not really popular to be that sensitive. I had to really fight that and Charlie was so nurturing. He said, “Look, it’s safe here. You can express how you feel. You don’t have to worry about that.” That’s something that it was a cultural thing for me. I had to really break that and really fight that obstacle. I think being here and working with Charlie– He really helped me to just embrace being who I am.
Q: How would you describe Charlie Sandlan as an acting teacher?
Charlie is amazing. He doesn’t BS you at all. He tells you straight up how it is and that’s something I admire about him. He sets the bar so high that as an artist yourself, you go out and you want to challenge yourself as an artist. He really puts a lot of wisdom into you as an artist. He tells you to question your artistry and to question your contribution to this industry. That’s something I really took from Charlie.
He was very passionate about his work. He cares, which is important. He’s nurturing, he wants you to do well, but at the same time, he instills so much work. He says, “Know the work ethics. It’s about the work. It’s about the work ethics.” That’s something that I loved about him. I embrace that, yes.
Meisner Summer Acting Program – Meisner Summer Intensive
Summer Acting Program Dunstan Wallace – Maggie Flanigan Studio
Learn more about the acing program and the Meisner Summer Intensive at the Maggie Flanigan Studio by visiting the studio website acting programs page (http://www.maggieflaniganstudio.com/) or by calling (917) 789-1599 during normal studio hours.
The post Summer Acting Program – Dunstan Wallace Interview appeared first on Meisner Acting - The Maggie Flanigan Studio New York NY - 917-789-1599.
via Summer Acting Program – Dunstan Wallace Interview
by Maggie Flanigan
Summer Acting Program Dunstan Wallace - Maggie Flanigan Studio - Call (917) 789-1599
Watch video on YouTube here: https://youtu.be/JwEVrr3ziLM
via Maggie Flanigan Studio
via Summer Acting Program Dunstan Wallace - Maggie Flanigan Studio - Call (917) 789-1599
by Maggie Flanigan
Summer Acting Program – Dunstan Wallace Interview
The summer acting program at the Maggie Flanigan Studio introduces actors to the Meisner Technique and professional actor training. In this interview with Katie, Dunstan Wallace discusses the acting program and some of the ways he changed during the six week program. [caption id="attachment_9713" align="aligncenter" width="800"]
Summer Acting Program Interview: Dunstan Wallace
Q: Dunstan, what did you think about to train as an actor before you started the six weeks super-intensive?
Well, I really had no idea what it was to train as an actor because my prior experience would be, the teacher would just pair us up, same partners and then just give us a scene, you rehearse it, you put it up on the front of the class and he gives us feedback, that was it. I was thinking I wasn't really getting what I thought I was getting. I felt like I was saying lines and just line reading and not really getting into the character. Yes, I really had no idea what it was to train as an actor. [post_author]Q: What happened to you during the six weeks that changed your perspective on acting?
Everything changed. The approach that Charlie instilled in us, the work ethic, the commitment, a lot of sacrifices, you can't just go to a studio and expect the teachers to sprinkle magic fairy dust on you and think that you just going to be this person. They really tell you, they really teach you, they're very nurturing, they care, but at the same time, you have to do the work. It's the work ethic, pretty much that I've got from the six weeks program, the work ethic, like really setting the bar for yourself and really taking a pride in your work. That was something that really stuck with me.Q: What did you learn about yourself that was a surprise and that changed you during the six weeks?
I think the biggest thing I learned was how sensitive I was. It was very endearing and lining at the same time scary because as a man, it's not really popular to be that sensitive. I had to really fight that and Charlie was so nurturing. He said, "Look, it's safe here. You can express how you feel. You don't have to worry about that." That's something that it was a cultural thing for me. I had to really break that and really fight that obstacle. I think being here and working with Charlie-- He really helped me to just embrace being who I am.Q: How would you describe Charlie as an acting teacher?
Charlie is amazing. He doesn't BS you at all. He tells you straight up how it is and that's something I admire about him. He sets the bar so high that as an artist yourself, you go out and you want to challenge yourself as an artist. He really puts a lot of wisdom into you as an artist. He tells you to question your artistry and to question your contribution to this industry. That's something I really took from Charlie. He was very passionate about his work. He cares, which is important. He's nurturing, he wants you to do well, but at the same time, he instills so much work. He says, "Know the work ethics. It's about the work. It's about the work ethics." That's something that I loved about him. I embrace that, yes. [caption id="attachment_9721" align="aligncenter" width="800"] Meisner Summer Acting Program - Meisner Summer Intensive[/caption]
Summer Acting Program Dunstan Wallace - Maggie Flanigan Studio
Learn more about the acing programs and the Meisner Summer Intensive at the Maggie Flanigan Studio by visiting the studio website acting programs page (http://www.maggieflaniganstudio.com/) or by calling (917) 789-1599 during normal studio hours. Summer Acting ProgramThe above blog post Summer Acting Program – Dunstan Wallace Interview is available on Acting Studio Blog
via Summer Acting Program – Dunstan Wallace Interview
by Maggie Flanigan
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