Sunday, February 25, 2018

Master Class Actor Training: Gene Pope Interview

Acting Master Class with Maggie Flanigan

[Updated 02/25/18. Master Class for Actors begins 03/28/18.] The master class actor training at the Maggie Flanigan Studio is a ten week advanced scene study class for professionally trained actors. In this video Gene Pope talks about his decision to take the class and how it directly impacted his audition process.

Acting Master Class with Maggie Flanigan

Acting Master Class with Maggie Flanigan (917) 789-1599

Why Did You decide To Take Master Class with Maggie Flanigan?

When I left the two year acting conservatory I was a little nervous but I felt that I had gained a lot of knowledge and I started applying it. Then something interesting actually started happening as I was auditioning more and more. I started and this was when I realized I was working with different kinds of actors, different kinds of people, who are asking different things that of me in a different way and I said to myself, “I’m starting to drift”.

author-pic

“The small class size allowed me to have as much time with Maggie as possible. I was starting to drift. This class helped to recenter myself."

Gene PopeStudio Alumni

I felt like i was starting to drift that I was in danger of going away from the core but the answers that I was applying to the question we’re not were not necessarily up right in line with what would be the most effective, whether it was on stage or on camera. So I decided that if a masterclass came up I wanted to get right back into that to recenter myself, to remind myself of why I’m an actor and what how I can do my best to be an actor. That’s exactly why I came back to the course was to get that done plus the fact that Maggie offered so kindly to allow me to do a scene which I’ve always been excited about which is a scene of a person who is not normal but has something wrong with them. It’s more challenging, its layered but it just was something I wanted to get my teeth into and she felt that I would I was ready for it. I was thrilled and and it was extraordinarily effective that way.

How Important Was It That The Class Was Small In Size?

When you take into effect the idea that Maggie has such a wealth of information, I can’t think of having too small of a class size with with her because you want to have as much time with her as possible. It is a very relaxed atmosphere and she knows you’re there to work hard and she accepts that and she accepts you as an actor who now has some experience and that wants to take their their work to another level. So with knowing that she spends a lot of time compared to the two year conservatory, relatively speaking, because you don’t have to cycle through endless scenes. You get your 20 minutes and that’s it. If you are having an issue shows she’s able to take the time to work on that issue with you and work on it and work on it. There is plenty of time because there is 10 people in the room. That is a revelation because you want to hear as much as you possibly can from Maggie Flanagan about how you’re doing, what are you doing right, what are you doing wrong and how to improve it. So for me in a smaller class is just a decision that they made that is just a gift to actors anywhere in my opinion.

master class for actors - maggie flanigan studio

What Was It Like To Work So Closely with Maggie?

Maggie is one of the most respectable people I have ever worked with in terms of respecting actors no matter what your level is. That empowers you to experiment more. You don’t feel like “Oh my God, it’s Maggie Flanigan, I am going to have to be on my best behavior”, no it’s just Maggie and she’s talking to you one-on-one. She’s guiding you and you go okay “Let me try this”. At the end of it she’s not going to say “Oh my God, what was that?” She’s going to say “No, just think about this try it again.” That’s what I thought our relationship was like and it it was a gift again to get she’s giving you. You’ve got to take these gifts when you can, when they are available. She’s one of the best minds around in terms of acting, in my opinion and you have to take it while it’s here or you’ll be very sorry that you missed it.

author-pic

“The small class size allowed me to have as much time with Maggie as possible. I was starting to drift. This class helped to recenter myself."

Gene PopeStudio Alumni

What Did You Find Difficult About The Class?

What I found difficult about the master class with the first two minutes I sat down with Maggie and with my partner and I started to do my first reading. The reason for that was because I was trying to please Maggie too much. I mean I didn’t her to think that I was a wanker or something and that I had learned something from the class because you know i did all this work. After about two minutes she simply said “Gene stop for a second. Stop. Relax, take a breath. I just want you to react and respond.” I said “You’re right, I’m trying way too hard.” That was it. Once that was off the table and then the rest of it was just a pleasure of work.

You are really working intensely. When you’re working that intensely on something that you love I mean and this is your career that you want here, it’s always a joy, it’s not a difficulty. It’s a difficulty in that somebody is critiquing maybe but it’s never in something that’s going to pull you down. It’s something that is going to lift you up.

So where’s the downside? I didn’t find a downside other than those first two minutes which was basically my own doing.

Acting Master Class with Maggie Flanigan

Gene Pope – Master Class for Actors with Maggie Flanigan – Call (917) 789-1599

How Did the Class Get You Back On Course with Your Career?

A few weeks literally after the class I was sitting at a Ruddy Productions reading and I’m sitting in the front row and one of the people that within my class was sitting in that same row, and all of a sudden she started hitting me in the shoulder saying, “Gene, Gene, Gene, I have to introduce you to somebody” and she starts poking the other person from the other studio and bring them over. “Gene was in the my class and he was doing how I learned to drive and he was and he was playing Uncle Peck. You’ve got to let him read for the part.” She says “We’ve already done our auditions are doing callbacks.” She was non-stop. Long story short I went there. They did a callback. It lasted for hours and it was so much fun.

Of course, I was there looking around thinking “Well, that guy looks like he could be the part. That guy looks pretty good too. There is a lot of competition here.”

I knew in my mind exactly how I wanted to do this scene and do this character. I felt the strength of that and so I just did what I was going to do and took the direction that I was given. I kept everything that I’ve learned in my head at all times. I survived the four hours. At the end they announced that they were going to do another callback the next weekend.

Acting Master Class with Maggie Flanigan

Acting Master Class at Maggie Flanigan Studio (917) 789-1599

That weekend we started out with 16 people and it just started whittling away another four hours went by until is just two of us. Then they had us come in and do the scene that I have done in class with Maggie. The exact same scene. They had us do it three times with three different points of view of direction which was so much fun. The next thing we knew we were both going home. I was driving home and I get the call from them offering the part.

That’s not that’s not the way it’s going to always happen but I do believe that you make your luck. I feel that I’ve been lucky since I left but I want to come back again because I want to always make sure that there’s always more to learn. I want to make sure that I always have my tools as sharp as humanly possible because you’re going to walk into that audition one day and all the sudden you are just right for it and at that moment, you have to be perfect.

This is the way to do it, to come back and and refresh yourself.

master class for actors - maggie flanigan studio

Register For The Acting Master Class

Master Class for actors at the Maggie Flanigan Studio is a ten week scene study class for the trained and professional actor who is looking to challenge themselves with complicated materials from the greatest playwrights in history. To schedule an admission interview for the Master Class with Maggie Flanigan, contact the studio directly by calling 917-789-1599.

Acting Classes NYC

The post Master Class Actor Training: Gene Pope Interview appeared first on Meisner Acting - The Maggie Flanigan Studio New York NY - 917-789-1599.


via Master Class Actor Training: Gene Pope Interview
by Maggie Flanigan

Master Class Actor Training: Gene Pope Interview

[Updated 02/25/18. Master Class for Actors begins 03/28/18.] The master class actor training at the Maggie Flanigan Studio is a ten week advanced scene study class for professionally trained actors. In this video Gene Pope talks about his decision to take the class and how it directly impacted his audition process. [caption id="attachment_7955" align="aligncenter" width="800"]Acting Master Class with Maggie Flanigan Acting Master Class with Maggie Flanigan (917) 789-1599[/caption]

Why Did You decide To Take Master Class with Maggie Flanigan?

When I left the two year acting conservatory I was a little nervous but I felt that I had gained a lot of knowledge and I started applying it. Then something interesting actually started happening as I was auditioning more and more. I started and this was when I realized I was working with different kinds of actors, different kinds of people, who are asking different things that of me in a different way and I said to myself, “I’m starting to drift”. [post_author] I felt like i was starting to drift that I was in danger of going away from the core but the answers that I was applying to the question we're not were not necessarily up right in line with what would be the most effective, whether it was on stage or on camera. So I decided that if a masterclass came up I wanted to get right back into that to recenter myself, to remind myself of why I'm an actor and what how I can do my best to be an actor. That's exactly why I came back to the course was to get that done plus the fact that Maggie offered so kindly to allow me to do a scene which I've always been excited about which is a scene of a person who is not normal but has something wrong with them. It’s more challenging, its layered but it just was something I wanted to get my teeth into and she felt that I would I was ready for it. I was thrilled and and it was extraordinarily effective that way.

How Important Was It That The Class Was Small In Size?

When you take into effect the idea that Maggie has such a wealth of information, I can't think of having too small of a class size with with her because you want to have as much time with her as possible. It is a very relaxed atmosphere and she knows you're there to work hard and she accepts that and she accepts you as an actor who now has some experience and that wants to take their their work to another level. So with knowing that she spends a lot of time compared to the two year conservatory, relatively speaking, because you don't have to cycle through endless scenes. You get your 20 minutes and that's it. If you are having an issue shows she's able to take the time to work on that issue with you and work on it and work on it. There is plenty of time because there is 10 people in the room. That is a revelation because you want to hear as much as you possibly can from Maggie Flanagan about how you're doing, what are you doing right, what are you doing wrong and how to improve it. So for me in a smaller class is just a decision that they made that is just a gift to actors anywhere in my opinion. master class for actors - maggie flanigan studio

What Was It Like To Work So Closely with Maggie?

Maggie is one of the most respectable people I have ever worked with in terms of respecting actors no matter what your level is. That empowers you to experiment more. You don't feel like “Oh my God, it's Maggie Flanigan, I am going to have to be on my best behavior”, no it's just Maggie and she's talking to you one-on-one. She's guiding you and you go okay “Let me try this”. At the end of it she's not going to say “Oh my God, what was that?” She's going to say “No, just think about this try it again.” That's what I thought our relationship was like and it it was a gift again to get she's giving you. You've got to take these gifts when you can, when they are available. She's one of the best minds around in terms of acting, in my opinion and you have to take it while it's here or you'll be very sorry that you missed it. [post_author]

What Did You Find Difficult About The Class?

What I found difficult about the master class with the first two minutes I sat down with Maggie and with my partner and I started to do my first reading. The reason for that was because I was trying to please Maggie too much. I mean I didn't her to think that I was a wanker or something and that I had learned something from the class because you know i did all this work. After about two minutes she simply said “Gene stop for a second. Stop. Relax, take a breath. I just want you to react and respond.” I said “You're right, I’m trying way too hard.” That was it. Once that was off the table and then the rest of it was just a pleasure of work. You are really working intensely. When you're working that intensely on something that you love I mean and this is your career that you want here, it's always a joy, it's not a difficulty. It's a difficulty in that somebody is critiquing maybe but it's never in something that's going to pull you down. It's something that is going to lift you up. So where's the downside? I didn't find a downside other than those first two minutes which was basically my own doing. [caption id="attachment_9668" align="aligncenter" width="800"]Acting Master Class with Maggie Flanigan Gene Pope - Master Class for Actors with Maggie Flanigan - Call (917) 789-1599[/caption]

How Did the Class Get You Back On Course with Your Career?

A few weeks literally after the class I was sitting at a Ruddy Productions reading and I’m sitting in the front row and one of the people that within my class was sitting in that same row, and all of a sudden she started hitting me in the shoulder saying, “Gene, Gene, Gene, I have to introduce you to somebody” and she starts poking the other person from the other studio and bring them over. “Gene was in the my class and he was doing how I learned to drive and he was and he was playing Uncle Peck. You've got to let him read for the part.” She says “We've already done our auditions are doing callbacks.” She was non-stop. Long story short I went there. They did a callback. It lasted for hours and it was so much fun. Of course, I was there looking around thinking “Well, that guy looks like he could be the part. That guy looks pretty good too. There is a lot of competition here.” I knew in my mind exactly how I wanted to do this scene and do this character. I felt the strength of that and so I just did what I was going to do and took the direction that I was given. I kept everything that I've learned in my head at all times. I survived the four hours. At the end they announced that they were going to do another callback the next weekend. [caption id="attachment_7960" align="aligncenter" width="800"]Acting Master Class with Maggie Flanigan Acting Master Class at Maggie Flanigan Studio (917) 789-1599[/caption] That weekend we started out with 16 people and it just started whittling away another four hours went by until is just two of us. Then they had us come in and do the scene that I have done in class with Maggie. The exact same scene. They had us do it three times with three different points of view of direction which was so much fun. The next thing we knew we were both going home. I was driving home and I get the call from them offering the part. That's not that's not the way it's going to always happen but I do believe that you make your luck. I feel that I've been lucky since I left but I want to come back again because I want to always make sure that there's always more to learn. I want to make sure that I always have my tools as sharp as humanly possible because you're going to walk into that audition one day and all the sudden you are just right for it and at that moment, you have to be perfect. This is the way to do it, to come back and and refresh yourself. master class for actors - maggie flanigan studio

Register For The Acting Master Class

Master Class for actors at the Maggie Flanigan Studio is a ten week scene study class for the trained and professional actor who is looking to challenge themselves with complicated materials from the greatest playwrights in history. To schedule an admission interview for the Master Class with Maggie Flanigan, contact the studio directly by calling 917-789-1599. Acting Classes NYC

The previous article Master Class Actor Training: Gene Pope Interview See more on: NYC Acting Classes


via Master Class Actor Training: Gene Pope Interview
by Maggie Flanigan

Saturday, February 24, 2018

Studio Alumni Carly Sullivan on “Happy!”

acting program nyc - carly sullivan - maggie flanigan studio 03 - (917) 789-1599

For her latest project, Carly Sullivan entered the bizarre world of Syfy’s Happy!, which recently aired its inaugural season. On the TV show, the actress plays Gala Scaramucci, wife to the big bad guy of Francisco Scaramucci, or Mr. Blue (Ritchie Coster). The two try to outwit and outsmart the efforts of Nick Sax (Christopher Meloni) and his imaginary blue horse, Happy (voiced by Patton Oswalt).

acting program nyc - carly sullivan - maggie flanigan studio 03 - (917) 789-1599

“Happy!” SyFY – Carly Sullivan Maggie Flanigan Studio Alumni

This is not your grandparents’ type of television.

The arc of the Gala character was profound for audience members tuning in each week, and Sullivan seemed to love her role. However, it almost never happened for the accomplished actress.

“It’s been such a pleasure working on it,” Sullivan said in a recent phone interview. “Basically back in January of 2017, I was asked to audition for the pilot, so it was a very formal audition. I went in. I think probably about a week later, my agent was like, ‘You’re one of the top picks.’ And I was like, ‘Oh, cool.’ And then a couple days later he called me, and he’s like, ‘Unfortunately they’re going to pass on you because they’re going to go with somebody who has more of a name,’ which I have heard many times before in this industry. And I was like, ‘OK, no worries.’ And then a week later, he called me, and he was just like, ‘You got it. I don’t know what happened, but it’s all yours.’ So that was kind of the process of getting the part.”

When she secured the Gala role, Sullivan was excited and intrigued by the potential of the character and the offbeat series. Right before the audition, she acquainted herself with the graphic novel by Grant Morrison and Darick Robertson.

acting program nyc - carly sullivan - maggie flanigan studio 02 - (917) 789-1599

Acting Program NYC – Carly Sullivan – Happy! on SyFy

“I had read the graphic novel actually probably the day before I auditioned,” she said. “I was familiar with Grant Morrison, but I had not read the Happy! series. And when I read it, I just thought, how are they going to do this? It’s a really out there graphic novel, and it’s so different. And I was like, wow, this is really exciting stuff, so, yeah, I was very, very, very excited. And it turned out to be all the things I thought it would be and more honestly, so very cool.”

Sullivan’s character of Gala is not in the original graphic novel, but Morrison and showrunner Brian Taylor decided to branch out from the source material and fill in some narrative blanks.

“So when I read the graphic novel, I was like, OK, I don’t see Gala in it,” Sullivan said. “It’s interesting, too, because in my audition, I think it was like maybe only two pages of [dialogue], so I didn’t have a real in-depth understanding of my character. But I could tell from just those two pages, I got a sense of who she was and what her marriage was like with Blue. Blue is the main bad guy this season, and I thought, wow, there’s a lot I can do here, a lot. And it’s interesting, I watched Big Little Lies this year [on HBO], and I remember Nicole Kidman’s character. I was like, you know, I feel like there’s part of Gala here, and so Nicole Kidman’s performance not only excited me but really inspired me. I was like, OK, I can do a lot here, and I can bring this repressed woman to life. I don’t know why. It just really excited me. I feel like it’s the perfect time in our environment to kind of play these women who are in abusive relationships and then become very empowered, so, yeah, I was very excited when I realized what I would be doing.”

Sullivan said that even if she wasn’t involved in Happy!, she probably would be watching the show. She counts herself as a “sci-fi nerd,” and she loves TV, especially in this time that she calls the “golden era” of dramas and comedies.

“I just loved the structure of it,” she said. “I love the longer work schedule because I love to work. Even if I was not in it, I would love to watch it, and I’m not just saying that. I like shows that push boundaries. I like shows that make you think. Happy! has that element of everything is connected, fate, there is no such thing as coincidence. And it reminds me a little bit of Lost or The Leftovers, two of my all-time favorite shows. Yeah, I definitely like shows that are out there, and I love comedy. I mainly work in comedy, and this is definitely a very dark comedy.”

acting program nyc - carly sullivan - maggie flanigan studio 04 - (917) 789-1599

Acting Program NYC – Carly Sullivan – Maggie Flanigan Studio – (917) 789-1599

About Carly Sullivan

Born in Plantation, Florida, Carly began her artistic career as a ballet dancer where she studied with The American Ballet Theatre and Miami City Ballet. After an injury at 17, she decided channel her artistic passion into acting and after graduating from the University of Florida, moved to New York to study at the Maggie Flanigan Studio and UCB. She has gone on to appear in numerous commercials, films, television shows and voice overs. In 2016, she created Baus Lady Films with her creative counterpart, Caroline Duncan. They went on to co-produce, co-write and co-star in their short films, “Fashion Faux Pas” and “Pick Me”. Most recently she can be seen working opposite of Chris Meloni is Syfy’s adaptation of Grant Morrison’s graphic novel Happy!.

This news about Carly Sullivan and Happy! on Syfy was first seen online here:
https://www.hollywoodsoapbox.com/?p=19338

The post Studio Alumni Carly Sullivan on “Happy!” appeared first on Meisner Acting - The Maggie Flanigan Studio New York NY - 917-789-1599.


via Studio Alumni Carly Sullivan on “Happy!”
by Maggie Flanigan

Studio Alumni Carly Sullivan on “Happy!”

For her latest project, Carly Sullivan entered the bizarre world of Syfy’s Happy!, which recently aired its inaugural season. On the TV show, the actress plays Gala Scaramucci, wife to the big bad guy of Francisco Scaramucci, or Mr. Blue (Ritchie Coster). The two try to outwit and outsmart the efforts of Nick Sax (Christopher Meloni) and his imaginary blue horse, Happy (voiced by Patton Oswalt). [caption id="attachment_9655" align="aligncenter" width="800"]acting program nyc - carly sullivan - maggie flanigan studio 03 - (917) 789-1599 "Happy!" SyFY - Carly Sullivan Maggie Flanigan Studio Alumni[/caption] This is not your grandparents’ type of television. The arc of the Gala character was profound for audience members tuning in each week, and Sullivan seemed to love her role. However, it almost never happened for the accomplished actress. “It’s been such a pleasure working on it,” Sullivan said in a recent phone interview. “Basically back in January of 2017, I was asked to audition for the pilot, so it was a very formal audition. I went in. I think probably about a week later, my agent was like, ‘You’re one of the top picks.’ And I was like, ‘Oh, cool.’ And then a couple days later he called me, and he’s like, ‘Unfortunately they’re going to pass on you because they’re going to go with somebody who has more of a name,’ which I have heard many times before in this industry. And I was like, ‘OK, no worries.’ And then a week later, he called me, and he was just like, ‘You got it. I don’t know what happened, but it’s all yours.’ So that was kind of the process of getting the part.” When she secured the Gala role, Sullivan was excited and intrigued by the potential of the character and the offbeat series. Right before the audition, she acquainted herself with the graphic novel by Grant Morrison and Darick Robertson. [caption id="attachment_9656" align="aligncenter" width="800"]acting program nyc - carly sullivan - maggie flanigan studio 02 - (917) 789-1599 Acting Program NYC - Carly Sullivan - Happy! on SyFy[/caption] “I had read the graphic novel actually probably the day before I auditioned,” she said. “I was familiar with Grant Morrison, but I had not read the Happy! series. And when I read it, I just thought, how are they going to do this? It’s a really out there graphic novel, and it’s so different. And I was like, wow, this is really exciting stuff, so, yeah, I was very, very, very excited. And it turned out to be all the things I thought it would be and more honestly, so very cool.” Sullivan’s character of Gala is not in the original graphic novel, but Morrison and showrunner Brian Taylor decided to branch out from the source material and fill in some narrative blanks. “So when I read the graphic novel, I was like, OK, I don’t see Gala in it,” Sullivan said. “It’s interesting, too, because in my audition, I think it was like maybe only two pages of [dialogue], so I didn’t have a real in-depth understanding of my character. But I could tell from just those two pages, I got a sense of who she was and what her marriage was like with Blue. Blue is the main bad guy this season, and I thought, wow, there’s a lot I can do here, a lot. And it’s interesting, I watched Big Little Lies this year [on HBO], and I remember Nicole Kidman’s character. I was like, you know, I feel like there’s part of Gala here, and so Nicole Kidman’s performance not only excited me but really inspired me. I was like, OK, I can do a lot here, and I can bring this repressed woman to life. I don’t know why. It just really excited me. I feel like it’s the perfect time in our environment to kind of play these women who are in abusive relationships and then become very empowered, so, yeah, I was very excited when I realized what I would be doing.” Sullivan said that even if she wasn’t involved in Happy!, she probably would be watching the show. She counts herself as a “sci-fi nerd,” and she loves TV, especially in this time that she calls the “golden era” of dramas and comedies. “I just loved the structure of it,” she said. “I love the longer work schedule because I love to work. Even if I was not in it, I would love to watch it, and I’m not just saying that. I like shows that push boundaries. I like shows that make you think. Happy! has that element of everything is connected, fate, there is no such thing as coincidence. And it reminds me a little bit of Lost or The Leftovers, two of my all-time favorite shows. Yeah, I definitely like shows that are out there, and I love comedy. I mainly work in comedy, and this is definitely a very dark comedy.” [caption id="attachment_9658" align="aligncenter" width="800"]acting program nyc - carly sullivan - maggie flanigan studio 04 - (917) 789-1599 Acting Program NYC - Carly Sullivan - Maggie Flanigan Studio - (917) 789-1599[/caption]

About Carly Sullivan

Born in Plantation, Florida, Carly began her artistic career as a ballet dancer where she studied with The American Ballet Theatre and Miami City Ballet. After an injury at 17, she decided channel her artistic passion into acting and after graduating from the University of Florida, moved to New York to study at the Maggie Flanigan Studio and UCB. She has gone on to appear in numerous commercials, films, television shows and voice overs. In 2016, she created Baus Lady Films with her creative counterpart, Caroline Duncan. They went on to co-produce, co-write and co-star in their short films, "Fashion Faux Pas" and "Pick Me". Most recently she can be seen working opposite of Chris Meloni is Syfy's adaptation of Grant Morrison's graphic novel Happy!. This news about Carly Sullivan and Happy! on Syfy was first seen online here: https://www.hollywoodsoapbox.com/?p=19338

The preceding article Studio Alumni Carly Sullivan on “Happy!” Read more on: Acting Classes Blog


via Studio Alumni Carly Sullivan on “Happy!”
by Maggie Flanigan

Unlocking Artistic Versatility – Voice and Speech Class

Raife Baker teaches voice and speech class at the Maggie Flanigan Studio. In this video Raife discusses what it means for actors to be versatile and authentic. [caption id="attachment_9644" align="aligncenter" width="800"]Raife Baker during a voice and speech class at Maggie Flanigan Studio Voice and Speech Classes - Raife Baker - Maggie Flanigan Studio[/caption] Often on the first day of class at the Maggie Flanigan Studio, I ask students to tell me who their favorite actor/actress is and why. First of all I always find it funny to see people’s minds go completely blank when they have to answer this question on the spot, and secondly I usually notice a theme in many of the answers. One thing that seems to draw the admiration of other actors is a performer’s ability to “disappear” within a role. I’ll sometimes hear things like “I love Daniel Day-Lewis because I forgot I was even watching him and just saw the character.” Or “Meryl Streep is great because she can do so many different parts so well.” I think this can be summed up as “versatility.” I also think that voice and speech work is crucial to realizing the true potential of our own versatility as actors. [post_author] Obviously learning to speak with a different dialect or with a speech impediment can vastly alter an audience’s perception of an actor. But paradoxically, I believe learning to become more aware of and in touch with oneself is the actual path to unlocking this artistic versatility. In other words, being your self is the key to being someone else. Without examining our own habits, insecurities, tensions, and beliefs, any external elements (like dialects, or physical impairments, or even a GREAT costume) will ring hollow because we won’t have allowed our inner life to breathe and express itself. [caption id="attachment_9645" align="aligncenter" width="800"]Raife with students in the voice and speech class at Maggie Flanigan Studio Voice and Speech Classes for Actors - Raife Baker - Maggie Flanigan Studio[/caption] This is where voice practice comes in. It’s probably not shocking to hear that our voices are really made up of two simple components: our body and our breath. And so many of our habitual tensions and insecurities manifest themselves physically in our bodies or in our breathing. In order to become integrated actors, both the body and the breathing must be uninhibited so that our emotional life can be dynamic and expressive. Have you ever caught yourself holding your breath when you are frightened, or clenching your jaw when you are frustrated? These are ways of controlling or hiding these emotions that we have deemed socially negative. But as actors, we don’t want to control them, we want to share them with our audience. So much of voice class is about physical release and breath allowance for this very reason. We have to cultivate new habits around our emotional lives and allow ourselves to be genuine and honest with each passing moment. It’s not always an easy task to simply breathe and let ourselves be seen. It can feel dangerous and even foolish sometimes. It is a profound act of bravery, though and it is the only way to truly be ourselves as artists. That’s where we have to start in voice and speech class. We show up with each other. We perform exercises designed to help us be present and focused and relaxed. We try to be a little bit more of our self each day, so that we can start to become whomever we want. Part of the versatility that students admire so much in actors is also the fact that they believe the truth of those performances regardless of how different the roles themselves may be. There must be authenticity within that versatility, and the breath/body work of voice training is a great place to cultivate that authenticity. As Brene Brown says, “Authenticity is the daily practice of letting go of who we’re supposed to be, and embracing who we are.” [caption id="attachment_9646" align="aligncenter" width="800"]Raife working with students in the voice and speech class at Maggie Flanigan Studio Voice and Speech Classes NYC - Raife Baker - Maggie Flanigan Studio[/caption]

Learn More About Voice and Speech Classes at the Maggie Flanigan Studio

Acting Classes NYC To learn more about the voice and speech class, as well as other acting classes at the Maggie Flanigan Studio visit the studio website at maggieflaniganstudio.com or call the studio during business hours at 917-789-1599.

The above article Unlocking Artistic Versatility – Voice and Speech Class was first published on NYC Acting Classes


via Unlocking Artistic Versatility – Voice and Speech Class
by Maggie Flanigan

Unlocking Artistic Versatility – Voice and Speech Class

Raife Baker during a voice and speech class at Maggie Flanigan Studio

Raife Baker teaches voice and speech class at the Maggie Flanigan Studio. In this video Raife discusses what it means for actors to be versatile and authentic.

Raife Baker during a voice and speech class at Maggie Flanigan Studio

Voice and Speech Classes – Raife Baker – Maggie Flanigan Studio

Often on the first day of class at the Maggie Flanigan Studio, I ask students to tell me who their favorite actor/actress is and why. First of all I always find it funny to see people’s minds go completely blank when they have to answer this question on the spot, and secondly I usually notice a theme in many of the answers. One thing that seems to draw the admiration of other actors is a performer’s ability to “disappear” within a role. I’ll sometimes hear things like “I love Daniel Day-Lewis because I forgot I was even watching him and just saw the character.” Or “Meryl Streep is great because she can do so many different parts so well.” I think this can be summed up as “versatility.” I also think that voice and speech work is crucial to realizing the true potential of our own versatility as actors.

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"Voice and speech work is crucial to realizing the true potential of our own versatility as actors."

Raife BakerVoice and Speech Class

Obviously learning to speak with a different dialect or with a speech impediment can vastly alter an audience’s perception of an actor. But paradoxically, I believe learning to become more aware of and in touch with oneself is the actual path to unlocking this artistic versatility. In other words, being your self is the key to being someone else. Without examining our own habits, insecurities, tensions, and beliefs, any external elements (like dialects, or physical impairments, or even a GREAT costume) will ring hollow because we won’t have allowed our inner life to breathe and express itself.

Raife with students in the voice and speech class at Maggie Flanigan Studio

Voice and Speech Classes for Actors – Raife Baker – Maggie Flanigan Studio

This is where voice practice comes in. It’s probably not shocking to hear that our voices are really made up of two simple components: our body and our breath. And so many of our habitual tensions and insecurities manifest themselves physically in our bodies or in our breathing. In order to become integrated actors, both the body and the breathing must be uninhibited so that our emotional life can be dynamic and expressive. Have you ever caught yourself holding your breath when you are frightened, or clenching your jaw when you are frustrated? These are ways of controlling or hiding these emotions that we have deemed socially negative. But as actors, we don’t want to control them, we want to share them with our audience. So much of voice class is about physical release and breath allowance for this very reason. We have to cultivate new habits around our emotional lives and allow ourselves to be genuine and honest with each passing moment.

It’s not always an easy task to simply breathe and let ourselves be seen. It can feel dangerous and even foolish sometimes. It is a profound act of bravery, though and it is the only way to truly be ourselves as artists. That’s where we have to start in voice and speech class. We show up with each other. We perform exercises designed to help us be present and focused and relaxed. We try to be a little bit more of our self each day, so that we can start to become whomever we want.

Part of the versatility that students admire so much in actors is also the fact that they believe the truth of those performances regardless of how different the roles themselves may be. There must be authenticity within that versatility, and the breath/body work of voice training is a great place to cultivate that authenticity. As Brene Brown says, “Authenticity is the daily practice of letting go of who we’re supposed to be, and embracing who we are.”

Raife working with students in the voice and speech class at Maggie Flanigan Studio

Voice and Speech Classes NYC – Raife Baker – Maggie Flanigan Studio

Learn More About Voice and Speech Classes at the Maggie Flanigan Studio

Acting Classes NYC

To learn more about the voice and speech class, as well as other acting classes at the Maggie Flanigan Studio visit the studio website at maggieflaniganstudio.com or call the studio during business hours at 917-789-1599.

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via Unlocking Artistic Versatility – Voice and Speech Class
by Maggie Flanigan

Voice and Speech Class - Unlocking Artistic Versatility - Call (917) 789-1599


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via Maggie Flanigan Studio
via Voice and Speech Class - Unlocking Artistic Versatility - Call (917) 789-1599
by Maggie Flanigan